Tag Archives: shaolin five animals

The only SECRET of the Ancient Masters

The famous last words of the legendary Sun Lu Tang sum up the only true “Secret” of Chinese kung fu. The story goes that as Master Sun lay on his death bed one of his students asked him the secret of kung fu, at which time Sun wrote a single Chinese character on his hand and then passed away, the word he wrote was “practice”. While the story may be fictitious the advice is true. It is only with the commitment of much time and energy that anything of value will be accomplished.

There is a saying in Chinese martial arts that outlines the three essential skills needed to achieve victory in battle. They are first Speed then Power and last Technique. From this you can see that speed is the most important followed by power and last superior technique. Many students may mistakenly place the emphasis on technique while lacking the speed and power to back up their skill. So it is essential to balance your training between these three areas in order to develop to the best of your ability.

A good training program will include various drills for hand speed, kicking speed and reaction time including blocking and grabbing speed.  One basic but effective striking drill is:

• Hand Striking “Quan Fa” – This training should be done in three minute intervals with the first interval done at a moderate pace with light power, the next interval is done at a faster speed with more active footwork and defensive hand work (blocking / trapping), the third interval is done for power with very heavy striking. This training can be done with the sandbag, heavy bag, wooden dummy or with a partner holding the pads /mitts / shields.

You must also commit to a diligent force training program in order to have sufficient power behind your techniques.  The heavy bag is a very effective tool in the development of powerful strikes and one of the most basic force training drills is the power punch.

• Striking Power – stand facing the heavy bag and continually strike for one minute while putting your whole body into the strike. The same type of training can be performed on the sandbag or with a candle in an attempt to extinguish the flame or influence the way the flame flickers. Popular striking methods include the palm strike (iron palm, cutting palm, willow leaf palm) and punches (vertical punch, flat punch, drill punch)

In improving your skill in technique there is more than just form or “taolu” practice (commonly known as kata in Japanese). Some other training categories that refine your martial skill include:  fighting forms, joint locks, Throws and Takedowns, Fast Wrestling, bridge hands, sparring or fatigue and stress drills.

• Fighting forms “Dui Da” – prearranged set of techniques done with a partner to work on speed, application and sense of distance, fighting forms may include kicking, hand strikes, locking, and throwing techniques.
• QinNa “Seize and Control” – Joint Locking, controlling and anti-grappling techniques that may be practiced in the sparring situation, as well as on the ground. QinNa techniques were designed to use against takedowns and grappling.
• Shuai Chiao “Chinese Wrestling” – sweeping, throwing and takedown methods, shuai chiao was designed to counter striking.
• Kuai Chiao “Fast Wrestling”– kuai chiao combines the kicking, striking, throwing and locking techniques to achieve very fast and effective takedowns and controlling methods. Kuai Chiao is trained by the Chinese police and military for its efficiency and effectiveness.
• Bridge Hands “Qiao Shou”– two person training patterns to build sensitivity, sticking and following ability of the hands and arms as well as conditioning. Similar training methods include Pan Shou “coiling hands”, Dui Lian “matching hands” and Tui Shou “pushing hands”.
• Sparring “San Da” – Controlled fighting with protective gear so that you may experience the feeling of a resisting opponent may include throwing and locking techniques in addition to kicking and striking.
• Forms “Taolu”– traditional forms may be practiced with wrist and ankle weights for added difficulty or you may execute the techniques on a target such as the heavy bag. You may also go through the form and apply the techniques on an opponent / training partner to train the usage and a sense of enemy.
• Fatigue and Stress drills – training done under abnormal conditions such as low light or after a fatigue drill such as sprints or push ups

If you continually push yourself (self-mastery) and adjust your training goals as you progress there is no limit to your growth and skill. Always strive for a balanced training program that includes speed, power and technique. There are no shortcuts or overnight experts, hard work and time are the key to success.  The journey of Chinese martial arts has been traveled by countless students and Masters for millennia and will continue to offer the benefits of Health, Fighting ability and Mental Toughness to those who undergo the training in the traditional manner.

 “Repetition is the Mother of all Skill”

The Unknown History of Taiwanese Five Animals Kung Fu

Southern Shaolin Five Animals / Hung Ga Quan

by Travis Alschbach

Master Chang Ke Chi and students practicing Gong Zi Fu Hu Quan “Tiger Taming Fist” 1970’s Taiwan, R.O.C.

The Five Animals martial arts are synonymous with the Southern Shaolin Temple. The southern temple was lost during the Qing dynasty but the martial arts that originated there have spread around the world. There are countless derivative styles that have evolved and claim their origin from the southern Shaolin temple. Some of the main schools include Hung Ga, Li Ga, Lau Ga, Mok Ga  and Choy Ga.  Some of the derivative styles include Bai He (white crane), Yong Chun (wing chun), Choy Mok, Hung Fut, Cai Li Fo (choy li fut), Dragon style, Wu Zu Quan and Bak Mei.

The most widespread and easily recognizable of the southern Shaolin styles is the Hung Fist which originated in Fujian and Guangdong provinces during the Qing dynasty (1644-1911). The martial historian Tang Hao wrote that after examination the Five Animals of Shaolin are no different than the Hung Fist from Canton. Since its development in the Qing dynasty many distinct branches have become popularized.  Some of the various Hung Ga schools are:

• Hung Ga Tiger and Crane school of Lam Sai Wing including the Taming the Tiger, Tiger Crane, Five Animals & Five Elements and Iron Wire forms, descended from Luk Ah Choi and mainly developed by Lam Sai Wing
• Zhanjiang Hung Ga also called called Ha Say Fu Hung Ga includes an individual sequence for each of the five animals as well as many unique weapon sets
• Five Pattern Hung Ga with an individual form for each of the five animals, attributed to Ng Mui and Miu Hin
• Southern Shaolin Hung Ga of Wong Kiew Kit which contains a unique Tiger Crane pattern as well as Tiger & Dragon, Black Tiger Claw and others, descended from Jiang nan
• Taiwanese Five Animals commonly called Hong Quan “Hung Fist” in Taiwan. This style includes an individual form for each of the animals as well as 18 Lohan Palms, Taming the Tiger, Southern Eagle, Tiger Crane and Snake & Cat , some of the more exotic weapons of Taiwanese Hung Ga include the folded fan, long handled hook and umbrella

The Five Animals Hung Ga was brought to Taiwan from Guangdong province around 1946 by  Lin Jia Kun. arrived . Lin was a soldier in the Nationalist Army and came to Taiwan with the retreating army as the communists overtook mainland China. While in Taiwan Lin Jia Kun taught Chang Ke Chi who went on to become the predominant teacher of the Five Animals Hung Fist in Taiwan. Chang worked both as a teacher and in the martial arts film industry in Taiwan and throughout Asia beginning in the 1960’s.

Due to the large number of practitioners and growth of the style in Taiwan Lin Jia Kun’s Five Animals style is also known as Taiwanese Hung Ga although it originated in Guangdong and Fujian province.  The Hung school with its many unique branches remains the most popular and widespread of the southern styles and is the closest representation of traditional southern Shaolin.  The style has now spread all over the world with schools throughout Asia including Korea, Japan, Australia, South Africa, Europe, Canada and the United States.

“Train the Sword to Kill the Tiger,
Train the spirit to Capture the Dragon”
-Shaolin Monk Song Ching, Ming Dynasty, 1561